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Each chapter is followed by illustrated profiles of the world’s best-known performance artists, accompanied by extended captions that assess the importance of specific works to the practice of international performance art. 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Even politics, some reckon, has not escaped from the realm of the sacred: its dreams of the future still borrow their imagery from the prophets. \u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eHeaven on Earth\u003c\/i\u003e, T.J. Clark sets out to investigate the very different ways painting has given form to the dream of God’s kingdom come. He goes back to the late Middle Ages and Renaissance – to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, Veronese unfolding the human comedy. Was it to painting’s advantage, is Clark’s question, that in an age of enforced orthodoxy (threats of hellfire, burnings at the stake) artists could reflect on the powers and limitations of religion without putting their thoughts into words? \u003cbr\u003e\u003cbr\u003eAt the heart of the book stands Bruegel’s ironic but tender picture of \u003ci\u003eThe Land of Cockaigne\u003c\/i\u003e, but also Veronese’s inscrutable \u003ci\u003eAllegory of Love\u003c\/i\u003e. 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Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, László Moholy-Nagy and Josef Albers. \u003cbr\u003e\u003cbr\u003ePlacing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school’s diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school’s entanglements against a century of geopolitical change. 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This book includes an illustrated introduction that gives the background of the collection and describes the rationale behind the collecting - as well as highlighting the important contributions that the Breckman Fund acquisitions have made to the V\u0026amp;A's programme of exhibitions, displays and galleries.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40168040202430,"sku":"9781851778881","price":3915.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9781851778881.jpg?v=1757082183"},{"product_id":"in-black-and-white","title":"In Black And White","description":"\u003cp\u003ePrint has always been an art form for everyone – relatively cheap to produce and easy to distribute, and intended to be accessible to all. It links to painting, and creative autographic expression, as well as to a tradition of satire and protest, both social and political. 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It presents profiles of geek-art's greatest founders as well as insights on the latest trends, such as the return of enamel pins, the development of ZD photography, and the recognition of video game art.\n\nFeaturing stunning artwork and exclusive interviews and essays, this deluxe collection is a must-have for every pop culture enthusiast.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40168083194046,"sku":"9781419747779","price":3915.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9781419747779.jpg?v=1757082078"},{"product_id":"art-the-whole-story-1","title":"Art: The Whole Story","description":"\u003cp\u003eWritten by an international team of artists, art historians and curators, this absorbing and beautiful book gives readers unparalleled insights into the world’s most iconic artworks. \u003ci\u003eArt: The Whole Story\u003c\/i\u003e traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. 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Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s \u003ci\u003eLes Demoiselles d’Avignon\u003c\/i\u003e was so shocking in its day. \u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173376700606,"sku":"9780500294468","price":3263.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9780500294468.jpg?v=1757080541"},{"product_id":"art-and-ecology-now","title":"Art \u0026 Ecology Now","description":"\u003cp\u003e‘Eco’ awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. 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Celebrated around the world for his distinctive work, and with major retrospectives, high-profile commissions and numerous honours to his name, he has also helped nurture generations of younger artists, among them Julian Opie, Damien Hirst, Sarah Lucas, Liam Gillick and Gary Hume. Often described as the godfather of the YBAs, he taught by combining personal example and individual guidance, offering students encouragement, practical advice and insights gained from his own professional highs and lows. This powerful combination gave them the self-knowledge, confidence and motivation to flourish as some of the most successful figures in contemporary art. Now Craig-Martin shares the same benefit of his experiences with yet another\u003cbr\u003e\u003cbr\u003e generation. Part memoir and part instructional guide, On Being An Artist is a remarkable mix of reminiscence, personal philosophy, anecdote, self-examination, and advice for the budding artist. 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Conceived by MoMA’s celebrated curator Kynaston McShine as an ‘international report’ on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. Noting the participating artists’ attunement to the ‘mobility and change that pervades their time’, McShine underscored their interest in ‘ways of rapidly exchanging ideas, rather than embalming the idea in an “object”.’ Indeed, much of the work in the exhibition engaged mass-communications systems, such as broadcast television and the postal service, and addressed viewers directly, often encouraging their participation in return.  \u003cbr\u003e\u003cbr\u003e   The catalogue, rather than merely document the show, functioned autonomously: it included a list of recommended reading, a chance-based index by critic Lucy Lippard, and individual artist contributions in the form of photographic documentation, textual description, drawings and diagrams – some relating to work in the exhibition and others to artworks as yet unrealized. This facsimile edition of the original Information catalogue, which has long been out of print, invites re-engagement with MoMA’s landmark exhibition while illuminating the early history of conceptual art\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173516390590,"sku":"9780870709760","price":3654.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9780870709760.jpg?v=1757080366"},{"product_id":"living-with-art-the-alexander-walker-collection","title":"Living with Art: The Alexander Walker collection","description":"\u003cp\u003e\u003cb\u003e‘A fascinating catalogue, torqued around the notion of a film critic watching moving images by day and then focussing on still ones at night’ -- Irish Art Review\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn 2004 the British Museum received a bequest of 211 modern and contemporary prints and drawings from the influential film critic Alexander Walker (1930–2003). Undoubtedly one of the most important bequests in recent years, the acquisition of these works has transformed and significantly expanded the Museum’s collection of modern and contemporary Western graphic art. \u003cbr\u003e\u003cbr\u003eWalker was born in Portadown, Northern Ireland but spent most of his career in London, writing weekly film reviews for the Evening Standardfor over 40 years. He also wrote a number of highly successful books about film including the ground-breaking 1969 publication Sex in the Movies, a trilogy of books about the British film industry and numerous biographies of directors and actors including Stanley Kubrick, Audrey Hepburn, Elizabeth Taylor and Peter Sellers. \u003cbr\u003e\u003cbr\u003eWalker’s collecting began tentatively in the early 1960s but gained in momentum as his confidence grew and his disposable income increased due to the success of his books. In a letter to a fellow collector in 1996, Walker wrote ’Audrey goes on selling strongly and has enabled me to buy some things I could hardly have afforded a few years ago: a beautiful Matisse etching ..., a rare print by Morandi ... and a marvellous woodcut by ... Vija Celmins‘. He lived with his collection around him, using every inch of space in his modest London apartment including the walls of his bathroom and kitchen. \u003cbr\u003e\u003cbr\u003eWalker developed a network of art dealers, gallerists and publishers whom heviewed as advisors, mentors and friends. These trusted figures introduced him to the work of many of the artists represented in his collection and recommended books, exhibitions and museums to visit. Walker remarked of his collection to one art dealer: ‘It’s an eclectic one, I know, but everything in it has added to my pleasure (and education), and the sum total has introduced me to a vast range of new acquaintances...’. As part of the bequest, the British Museum obtained Walker’s complete archive of correspondence and paperwork relating to his prints and drawings collection, which this publication draws on in both the essay and the catalogue. 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Nubia’s trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century bce, they controlled one of the largest empires of the ancient world.\u003cbr\u003e\u003cbr\u003e      The Museum of Fine Arts, Boston, has the largest and most important collection  of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering  Harvard University–Boston Museum of Fine Arts Expedition in the first half of the  twentieth century. The objects highlighted in this volume include refined early  ceramics, monumental statues and relief carvings made for royal pyramids, exquisite  gold and enamel jewelry, playful decorations for furniture and clothing, and luxury  goods traded from around the Mediterranean world. Together they provide a  fascinating introduction to a sophisticated cultural tradition and a rich history that are  still being revealed today.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173521764542,"sku":"9780878468539","price":1958.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9780878468539.jpg?v=1757080358"},{"product_id":"what-it-means-to-write-about-art-interviews-with-art-critics","title":"What it Means to Write About Art: Interviews with Art Critics","description":"\u003cp\u003e\u003cb\u003eThe most comprehensive portrait of art criticism ever assembled, as told  by the leading writers of our time\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e In the last fifty years, art criticism has flourished as never before. 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These thirty  in-depth conversations chart the role of the critic as it has evolved from  the 1960s to today, providing an invaluable resource for aspiring artists  and writers alike.\u003cbr\u003e\u003cbr\u003e Jarrett  Earnest’s  wide-ranging  conversations  with  critics,  historians,   journalists, novelists, poets, and theorists—each of whom approach the  subject from unique positions—illustrate different ways of writing, thinking,  and looking at art.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eInterviews with:\u003c\/b\u003e Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland  Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve,  Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred  Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry  Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173522976958,"sku":"9781941701898","price":3263.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9781941701898.jpg?v=1757080355"},{"product_id":"buddha-and-shiva-lotus-and-dragon-masterworks-from-the-mr-and-mrs-john-d-rockefeller-3rd-collection-at-asia-society","title":"Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. And Mrs. John D. 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With detailed analyses and instructive creative tips sections, you can learn how to convey movement like Degas, apply acrylic like Twombly, and command colour like Matisse. \u003cbr\u003e\u003cbr\u003eThe book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life, heads, fantasy and abstraction. Each chapter selects a cross section of artists and examines their practice in detail, using key paintings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the painting was made: the materials and technique, an examination of the ideas and inspiration behind its making and how the artist’s life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail. 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An introduction from the Gallery’s Senior Curator of Eighteenth Century  Collections considers the representation of women in the Collection and the  efforts being made  to redress historical imbalances through the acquisition of portraits of notable women from the  last four centuries. Extended captions provide context about each sitter’s life and work and remind us of the impact of women in spheres as diverse as politics, science and medicine, the arts, engineering and law. This book features some of the National Portrait Gallery’s most famous sitters – Elizabeth I, writer and  women’s rights advocate Mary Wollstonecraft, scientist Dorothy Hodgkin and architect and businesswoman Zaha Hadid – as well as paintings and photographs of lesser - known women whose influence is equally significant. A recently acquired portrait of anti-FGM campaigner and psychotherapist Leyla Hussein, a bromide cabinet card of Helena Normanton, the first woman to practise as a barrister in England, and a self-portrait by Angelica Kauffmann, one of the founding members of the Royal Academy, are also included in this highly illustrated publication.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173528252606,"sku":"9781855147461","price":1690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9781855147461.jpg?v=1757080340"},{"product_id":"drawing-a-complete-guide","title":"Drawing: A Complete Guide","description":"\u003cp\u003eA comprehensive practice-based guide to the art of drawing, \u003ci\u003eDrawing: A Complete Guide\u003c\/i\u003e provides a chapter-by-chapter overview of key elements of drawing (such as line, shape, tone and value) before addressing the different genres (such as still life and portraiture). \u003cbr\u003e\u003cbr\u003eWritten in an accessible and encouraging manner, \u003ci\u003eDrawing: A Complete Guide\u003c\/i\u003e seeks to build the learner’s confidence in artistic exploration as well as developing his or her practical abilities. 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He made his debut in 1889, and during the 1890’s he established himself as one of Norway’s most promising sculptors. His breakthrough came in 1908 with the celestial monument to the Norwegian mathematician Niels Henrik Abel, and during the first decade of the 20th century he made several critically acclaimed portraits and monuments. From 1907 he became gradually more preoccupied with his great Fountain, and what was to become the Vigeland Park in Oslo, today one of Norway’s  most visited tourist attractions. \u003cbr\u003e\u003cbr\u003eIn this catalogue, Gustav Vigeland will be presented with the following artists: Antoine-Louis Barye (1795-1875), Constantin Meunier (1831-1905), Auguste Rodin (1840-1917), Aristide Maillol (1861-1944) and Antoine Bourdelle (1861-1929). 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Metamorphosis features vividly in the imagery, stories and media of the art that Warner has chosen to write about: in connection with animals in the work of Louise Bourgeois, for instance; with the Catholicism of Damien Hirst; and with performance as a medium of memory and resistance in the installations of Joan Jonas. \u003cbr\u003e\u003cbr\u003eRather than drawing on connoisseurship, the author’s approach grows principally out of anthropology and mythology. She argues that art and aesthetics increasingly fulfil a magical social function – a principle that runs through these writings to give the collection a quality that is polemical as well as coherent. With an introductory essay and illustrations throughout, Marina Warner investigates how artists noted for their treatment of disturbing, uncanny material have reached beyond the visible, to express interior states. 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These joyful scenes influenced the life and  work of his son, filmmaker Jean Renoir (1894- 1979), who Orson Welles described as “the  greatest of all directors.”\u003cbr\u003e\u003cbr\u003e       This catalogue—and the traveling exhibition  it accompanies—demonstrates how Pierre- Auguste Renoir’s artistic practice and creative  universe influenced Jean’s art, and how Jean’s  films shed new light on his father’s paintings.       Focusing on core themes in both artists’  works, such as their vision and recreation  of Paris, this volume examines Jean’s path to  becoming a prominent international filmmaker,  bringing together paintings, drawings, films,  costumes,  and  photos—as  well  as  the   ceramics he made before he turned to cinema.  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Beginning with an introduction to the very nature of African art, each of the artworks is then exp lored within its wider cultural and historical context, with chapters relating to contemporary art, masquerade, specific materials such as cloth, precious metals, wood and iron, gender, tools, and arms and armour . Close - up views of individual details will allow the reader to see these pieces in a new way , while the author points out unexpected juxtapositions across a wide range of cultures, periods and media. 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Here, broadcaster, critic and President of the National Association of Decorative \u0026amp; Fine Arts Societies (NADFAS), Christopher Lloyd, identifies over 265 masterpieces in England, Scotland, Ireland and Wales – from the National Gallery to The Burrell Collection in Glasgow – some acknowledged greats, others surprising, quirky and richly rewarding. All the paintings are the personal selection of Lloyd who has come across and enjoyed or admired them in public collections during the course of his career. His purpose throughout is to encourage others to visit the same places and experience the same pleasures. 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The volume takes a critical look at the fates and the artistic praxis of the former “Brücke” members in the years after 1933. On the basis of numerous sources which have hitherto not been analyzed, today’s popular image of Expressionism, its vilification as “degenerate” and the creation of the legend after the end of the Second World War are examined: how much scope for action was there and how should we evaluate the narratives of “inner emigration” and the “zero hour” today? \u003cbr\u003e\u003cbr\u003eBased on the extensive stocks of the Brücke-Museum, the publication discusses in detail the everyday reality of the artists under the National Socialists. The measures carried out against the former “Brücke” Based on the extensive stocks of the Brücke-Museum, the publication discusses in detail the everyday reality of the artists under the National Socialists. The measures carried out against the former “Brücke” members as a result of Nazi art policy are explained, together with the direct effects on their creative work and the self-image of the painters within the context of the times.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173543817406,"sku":"9783777432861","price":5213.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9783777432861.jpg?v=1757080275"},{"product_id":"in-my-view-personal-reflections-on-art-by-todays-leading-artists","title":"In My View: Personal Reflections on Art by Today's Leading Artists","description":"\u003cp\u003eIn My View is a collection of reflections by 78 contemporary artists in which each artist reveals the influence and inspiration he or she has found in a particular artwork or artist. 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Taking the reader on a cross-continental journey through a notional calendar year in the field of art, Matthew Israel lifts the veil on a world that emerges from his narrative as diverse, adventurous, nuanced and meaningful to all. From Los Angeles to Hong Kong via Paris and New York, the author travels among the world’s best-known artists, curators, critics, gallerists and institutions as they work towards some of the art world’s most defining international events. \u003cbr\u003e \u003cbr\u003e  \u003ci\u003eA Year in the Art World\u003c\/i\u003e relates the exploits of a curious insider, who ventures deep into the workings of the art industry to ask: what is it that people in the art world actually do? What drives an interest in working with art? How do artworks acquire value? And how has technology transformed the art world of today? Israel combines in-depth personal profiles with expert context to reveal both new and longstanding artworld realities. 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Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form.\u003c\/p\u003e","brand":"CMYK Book Store","offers":[{"title":"Default Title","offer_id":40173552566462,"sku":"9780714124537","price":1956.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/9106\/1950\/products\/9780714124537.jpg?v=1757080254"},{"product_id":"leonardo-popups","title":"Leonardo Pop-ups","description":"\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, architect, inventor and student of all things scientific. His natural genius crossed so many disciplines that he epitomized the term ‘Renaissance man’. 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Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was  rejected), this essay i s much more than a straightforward piece of art criticism. It is a  literary experiment in which an unnamed narrator gives advice to a young man  suffering from melancholy, taking him on an imaginary tour through the Louvre where  his readings of Chardin imbu e the everyday world with new meaning, and his  ruminations on Rembrandt take his melancholic pupil beyond the realm of mere  objects. Published for the first time as a stand - alone volume and newly translated, this edition,  part of the David Zwirner Books ekphrasis series, aims to introduce a wider audience  to  one of Proust’s most important and influential works in Western literature . “For the  true artist,” as Proust writes, “as for the natural scientist, every type is interesting, and  even the smallest mus cle has its importance.” The same could be said of the author’s  own work — every essay has its own crucial place in the formation of his  groundbreaking oeuvre. The afterword by renowned Proust scholar Alain Madeleine - Perdrillat , originally  published in the French by Le Bruit du Temps, is an impassioned argument in favor of  returning to the lost paths of Proust’s early thinking. It sees, in the passage from  Chardin’s world of objects to Rembrandt’s contemplative paintings, a move ment  toward the radical interiority for which Proust would later become widely celebrated  as a novelist. 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In arranging them not by period or style, but by the types of  thinking that give rise to them, readers gain fresh insights into the thought processes of  some of the world’s greatest artists. This thematic rather than chronological structure  allows us to place historical drawings side-by-side with modern and contemporary  works, to show how artists from widely differing times and places have all used  drawing to record, explore and develop ideas.       \u003cbr\u003eThe accompanying exhibition, ‘Lines of Thought: Michelangelo to Bridget Riley.  Drawings from the British Museum’, will tour to venues associated with art schools  around the UK, and internationally, to inspire students to draw. 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