May Morris: Arts & Crafts Designer
Anna Mason and Jan Marsh
With flagship architecture by I. M. Pei, an interior designed by J.-M. Wilmotte, and one of the world’s finest collections of its type, the Museum of Islamic Art in Doha, Qatar, is a dazzling showcase of the artistic achievements of the Islamic world. The collection represents the highest expression of artistic culture, covering lands from Spain to Central Asia and India, and ranging in date from the early Islamic period to the nineteenth century, including metalwork, miniatures, carpets, calligraphy and ceramics.
Published to coincide with the re-opening of the museum galleries, this guide brilliantly conveys the quality and significance of the Museum of Islamic Art collection, presenting key objects with explanatory texts from the museum curatorial team.
Anna Mason is a former curator and manager of the William Morris Gallery, London, winner of the Art Fund Prize for Museum of the Year 2013. She has also worked for the National Trust at Red House, and organized many exhibitions on Morris and his legacy. Jan Marsh is the author of Pre-Raphaelite Sisterhood, Jane and May Morris and biographies of Christina and Dante Gabriel Rossetti. She has also curated exhibitions on 19th-century art and artists, including ‘Black Victorians: Black People in British Art 1800–1900’, held at Manchester City Art Gallery and Birmingham Museum and Art Gallery in 2005. She is former president of the William Morris Society and a Trustee of the Brangwyn Gift at the William Morris Gallery. Jenny Lister is a curator of textiles and fashion at the Victoria and Albert Museum, specializing in the nineteenth century. Her publications include The V&A Gallery of Fashion and London Society Fashion 1905–1925: The Wardrobe of Heather Firbank. Rowan Bain is curator at the William Morris Gallery and was formerly assistant curator at the Victoria and Albert Museum. She is the author of several books and a contributor to May Morris: Arts & Crafts Designer. Hanne Faurby is assistant curator at the Victoria and Albert Museum specializing in nineteenth-century design. Her research encompasses textiles, fashion, jewellery and embellishment with particular interest in social-reform influences on the creative industry.
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