Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper
Alexandra Harris
While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-awardwinning book – now available in paperback – Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.
Alexandra Harris studied at Oxford and at the Courtauld Institute in London, and worked at Christie's for a year before returning to Oxford to write a doctorate on art and literature in the 1930s. She is now a lecturer in English at the University of Liverpool, running courses on Modernism and American writing, and leading the MA in Contemporary Literature. Her first full-length book, Romantic Moderns, was the winner of the 2010 Guardian First Book Award. Alexandra Harris was also a winner in the BBC's 'New Generation Thinkers' contest in 2011.
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