Roni Horn: The Detour of Identity
Roni Horn and Poul Erik Tøjner
Published on the occasion of an exhibition of the same name at the Louisiana Museum of Art, Humlebæk, Denmark, The Detour of Identity reads the work of Roni Horn through the prism of cinema, thereby revealing an intense psychosexuality that is often submerged under its empirical and conceptual character. Images of Horn’s photography, sculpture and drawing are presented alongside still and excerpts from films by Robert Altman, Carl von Dreyer, Rainer Werner Fassbinder, Alfred Hitchcock and Nicholas Roeg, among others. Essays by Poul Erik Tøjner, director of the Louisiana Museum, cultural critic Elisabeth Bronfen, art historian Briony Fer and novelist Gary Indiana clarify the central importance of film to both the making and the understanding of Horn’s practice. Words, literature and language are often grasped as keys to Horn’s art, but by juxtaposing her work with film this book reveals that the body, desire, fantasy and sexuality are equally crucial to her exploration of the instability and mutability of identity.
Co-published with the Louisiana Museum of Modern Art, Humlebæk
Roni Horn was born in New York in 1955. Horn’s oeuvre focuses on conceptually-based photography, sculpture, books and drawing. Her solo exhibitions include those at Tate Modern, Whitney Museum of American Art, Centre Pompidou, Kunsthaus Bregenz, Kunsthalle Hamburg, Kunsthalle Basel, Fundació Joan Miró, De Pont Foundation, Fondation Beyeler and the Menil Drawing Institute. Horn’s books with Steidl include bird (2008), aka (2010), Hack Wit (2015), Th Rose Prblm (2016), Remembered Words, A Specimen Concordance (2019), Dogs’ Chorus (2019), Remembered Words (2022), LOG (2022), Félix González-Torres Roni Horn (2022) and Mother, Wonder (2023).
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